Upcoming blog posts
Remember that you do need to post a blog entry for this week by the usual time. However, you do not need to post during the winter break. The next deadline after that will be 3/15, at the usual time.
Site for students in my Diverse Voices in Southern Literature course.
Remember that you do need to post a blog entry for this week by the usual time. However, you do not need to post during the winter break. The next deadline after that will be 3/15, at the usual time.
Just finished reviewing your blogs, and wanted to comment on a few that stood out as good examples of what works in the posts. Remember, while I don't expect you to write a novel or anything, I am looking for a certain level of depth and engagement with the text. A good example of this is Kevin's post for this week (BigKev, 04) on "Go, Down Moses." Tina (04) also offers in-depth analysis this week, as well as graphics and links. Lisa (05) makes a good connection between Porter and Faulkner and reiterates an excellent point raised by Tenesha (05) in a recent class (regarding whether or not an author can depict another race or gender accurately and fairly). Finally, Rae (Down to Earth, too 04) also makes a fascinating critique of Faulkner's depictions of women, which reflects a unique take on the text. All of these examples build on class discussion but offer new ideas that take our conversation in different directions.
As promised, here are a few study questions for the midterm. These are not the questions that you will be asked to write about; instead they are intended to help you focus your ideas and approach the material analytically:
As we discussed in our last class, "Pantaloon in Black" alludes to the widespread practice of lynching in the late nineteenth-century and early twentieth-century South. Interestingly, though, Faulkner chooses not to depict the scene itself, and instead describes the events leading up to the lynching through the perspective of the white sheriff's deputy; to me, this move raises the specter of racial violence while deflecting any real examination of this violence or of white complicity in it. This fits with the ambivalent depiction of Rider that we discussed: Faulkner is trying to say something critical about Southern racism, but he doesn't seem to be able to successfully translate this impulse into fictional representation (in this story, at least).
Based on your responses to that question that I asked on the first day of class--“What do you hope to learn about the South?”--I have put together some broad topics that will serve as starting points for your research projects.
I’ve been thinking over the problem that some of you mentioned on Friday; I agree that having both comments and the entries themselves due on the same day is bound to cause difficulties. So here’s what we’ll do: let’s make the entries (posts) due by 9:00 Weds. night from now on, and keep the deadline for your comments the same: by class time on Friday. This will give you more time to read all the entries and offer insightful comments.